Tetsuya Komuro, live report of Billboard one-man performance playing digital orchestra centered on piano and synth

It was a live that I couldn't hide the height of my heart. The excitement didn't stop before it started.

Just the other day, Tetsuya Komuro, who just restarted TM NETWORK with the live stream "TM NETWORK How Do You Crash It? One", will perform a one-man live on November 26th and 27th, the day before his birthday. I came back to the stage with "Tetsuya Komuro Rebooting 1.0" (4 performances for 2 days).

Misato Watanabe, Namie Amuro, Rie Miyazawa, Nogizaka46, globe, and other TK sounds that have produced masterpieces across generations are reborn by a "digital orchestra" that makes full use of pianos and synthesizers, no, a kind of naked special.・ It's a live performance.

Completely sold out venue. The premiere of the audience on the 26th, which is not delivered online, is a feeling of the scene where the noise does not stop. After the start time of 16:00, Tetsuya Komuro heads to the stage with deep emotion while wearing a blue shirt and slowly looking over the stairs.

There are five grand pianos and synthesizers on the stage. Musician Tetsuya Komuro has finally returned to the official live performance in his name since the 2018 PANDRA (unit with Daisuke Asakura) performance.

The first song played on the piano is a new song. Play "Traffic Jam" from the latest solo album "JAZZY TOKEN" (9 songs / portrait / liner notes included) by analog record released in limited quantity at the fan community "TETSUYA KOMURO STUDIO" on November 27th. .. Improvisation by jazzy instrumental depicting the hustle and bustle of the city.

Komuro has always admired jazz pianist Keith Jarrett. While feeling the influence, it seems to be Komuro, and while synchronizing with tracks such as drums and bass, phrases full of TK flavor are occasionally sandwiched. In the album title, it seems that Komuro is multiplying the analog elements of "jazz" and "record" with the buzzword "TOKEN" of the IT scene.

The first voice is "It's been a long time. I came back to Billboard Live Tokyo for the first time in 3 years. My professional history in the music industry started in 1984, but it condensed to 2021. Takashi Utsunomiya (TM NETWORK) is singing a song for the idol that I made on a solo cover song singing tour, so let's not suffer from that song selection. (Laughs).

I'm going to see the stage next month, but I was in a commercial for Mitsui's Rehouse and made my debut in the movie "Our Seven Days War". I'm also writing the debut song "Dream Rush". It's not a song (laughs). "My Kick Heart" by Rie Miyazawa. It's a rare song with lyrics first. I'm not good at it, but I sing. hey?

A venue where you can squirm through a mask for a staggering talk. At the end of "My Kick Heart", the phrase of the movie "Bokura no Nanoka War" by Komuro was also repeated. In addition, he begins to talk about the soundtrack "Mademoiselle Mozart", which he wrote for musicals in 1991. This work is a musical based on the comic of the same name drawn with the bold idea that "Mozart was a woman!", And is one of the masterpieces of the music theater that has led the original musical in Japan. It has been replayed by the production by.

"Recently, I went to see" Mademoiselle Mozart ". It's a good song for me (laughs). I'll deliver it in Medley today."

A digital orchestra woven by synthesizers resounding at the venue. If you close your eyes, there are a lot of performers. Music is a time machine. Light a switch in the audience's memory. Tetsuya Komuro, like a magician who operates a synthesizer by himself on the stage, interweaves the phrase "Piano Sonata No. 11 (Turkish March)" quoted in TM NETWORK "Human System" and calls it to heaven at the age of 35. Inspired by Mozart's work, he will unfold a magnificent number he created himself.

"Do you remember this sound?

And "NEVER END" provided to Namie Amuro who is played. Examination of rich sounds that shake emotions. Continuing on, a musical journey where the impactful introduction of Nogizaka46 "Route 246" reverberates and "hit genes" that transcend time and space are spun. Yes, it's the moment when I want to hear the next of this story.

…… Please refrain from the details of the development from here as the next day's birthday performance will be watched on the online distribution archive until 23:59 on Saturday, December 4th. Overseas, it is being distributed worldwide by the live distribution system ZAIKO.

[For those who live in Japan] http://eplus.jp/tk-st/

[For those who live overseas] https://tetsuyakomuro-tk.zaiko.io/buy/1rEN:iQG:825c1

[For those who live in China] https://tetsuyakomuro-tk.zaiko.io/buy/1rEN:iQH: 260db

Let's explain why Tetsuya Komuro's melody is memorable.

Since it is a piano that I learned by myself, it is not an idea based on chords and orchestration, but only one main tune, and the composition that makes a single note stand out is TK-like. The point is that the melody that matches the work of the driving is strongly memorable in both classical live performances.

Tetsuya Komuro's one-man live "Tetsuya Komuro Rebooting 1.0" has completely returned. Furthermore, in January 2022 next year, the billboard drive performance "HIT FACTORY # 1" in Osaka and Tokyo was announced. Keep an eye on Tetsuya Komuro, a musician who is expected to be a hit in the Reiwa era, which continues to face the New Normal era.

"Tetsuya Komuro Rebooting 1.0" November 26 @ Billboard Live Tokyo

1. Traffic Jam

2. My Kick Heart

3. Mademoiselle Mozart Suite

4. NEVER END ~ Route 246

5. My Revolution ~ Teenage Walk

6. Sweet 19 Blues

7. Suite CAROL

8. DEPARTURES

9. RUNNING TO HORIZON (206Mix)

En. Feel Like dance

[Billboard Live Osaka] (Performance twice a day)

2022/1/8 (Sat)

1st stage Open 15:30 Start 16:30

2nd stage Open 18:30 Start 19:30

http://www.billboard-live.com/pg/shop/show/index.php?mode=detail1&event=13133&shop=2

[Billboard Live Tokyo] (Performance twice a day, 3DAYS)

2022/1/21 (Friday)

1st stage Open 17:00 Start 18:00

How to reduce facial swelling http://dld.bz/mWxP

— Marie Carew Thu Mar 17 21:33:16 +0000 2011

2nd stage Open 20:00 Start 21:00

2022/1/22 (Sat)

1st stage Open 15:30 Start 16:30

2nd stage Open 18:30 Start 19:30

2022/1/23 (Sun)

1st stage Open 15:30 Start 16:30

2nd stage Open 18:30 Start 19:30

http://www.billboard-live.com/pg/shop/show/index.php?mode=detail1&event=13136&shop=1

Until December 6th, the fastest advance reception for the fan community

Official fan community "TETSUYA KOMURO STUDIO"

https://fanicon.net/fancommunities/3914

Twitter

https://twitter.com/tetsuyakomurotk

Instagram

https://www.instagram.com/tk19581127_official/